
My personal projects often focus on technical aspects of photography, such as time-lapse, and many of these are based upon solar phenomena. I’m currently approaching the end of a year-long project to create an analemma, which shows the position of the sun at a fixed time from the same location over the course of a year.
www.austintaylorphotography.com


I currently work as a self-employed artist, landscape architect and guest tutor at the University of Sheffield’s School of Landscape Architecture. I have a degree in Fine Art from Bath School of Art (1999-2002) and an MA in Landscape Architecture from the University of Sheffield.



I have been based in West Cornwall since 2001 and have been proactive in my interest of differing forms of creativity and research. All stimulate my own work and development.





Painting, Printmaking, Video and Installations
I have spent my working life as a radiographer. It was inevitable that my colleagues and I became very sharp at pattern recognition and in my case I tended to connect these patterns to the world around me, because they were so similar. My early print work was concerned with fractals, and most of my work could be described as process driven.
In the last few years I have been making time-lapses of the Milky Way to be incorporated into a series of short videos I made. Simultaneously I developed the concept of the jester as an archetype and the idea that the physical world around us and the institutions we create undergo ‘corrections’ to re-establish the equilibrium which all bodies enjoy.

Miles lives and works in London. He studied at the Victorian College of the Arts, Melbourne and has exhibited extensively within Australia and Europe. In 2016 he moved to London to participate in the Turps Studio Programme. He has been awarded numerous awards including the Besen Studio Award, Gertrude Contemporary, Australia Council for the Arts Development grant and has participated in residencies such as SÍM Residency, Iceland and the Upernavik Museum, Greenland. www.scottmiles.org

My practice brings together art and science in a materials-lead investigation of these chaotic interactions combined with my own gesture. The work is neither representational nor abstract, it is an act of data collection, a record of event through drawing, printmaking and moving image.
